Haven’t Seen That in Forever

Mom's gone. The babysitter's dead. And somehow Sue Ellen is now running a fashion company.
This week on Haven't Seen That in Forever, we're revisiting Don't Tell Mom the Babysitter's Dead (1991), the cult comedy that taught an entire generation that "the dishes are done, man." We dive into Christina Applegate's star performance, the movie's unforgettable one liners, its surprisingly sharp satire of adulthood, and why this '90s favorite has remained so quotable decades later.
Is it still a hilarious coming-of-age comedy, or should someone have called Child Protective Services? Join us as we find out.

This week on Haven't Seen That in Forever, we're cranking the amps to 11 and revisiting Rock Star (2001), the Mark Wahlberg-led ode to big hair, bigger dreams, and the glory days of heavy metal.
We dive into the film's loose connection to the real-life story of Tim "Ripper" Owens, discuss whether the movie still captures the magic of arena rock, and debate if becoming the lead singer of your favorite band is the ultimate fantasy, or a cautionary tale. From killer soundtrack moments to over-the-top rock star excess, we're asking whether Rock Star still rules the stage or should've left the encore behind.
So grab your leather pants, warm up those vocal cords, and join us as we remember a movie that may have been forgotten.

With the world watching the World Cup, we're revisiting Victory (1981), the WWII soccer film that somehow brought together Sylvester Stallone, Michael Caine, Pelé, and a roster of real football legends. We break down the movie's wild premise, its unforgettable match sequence, and why it feels like a World Cup final wrapped inside a prison-escape thriller. Plus, we discuss the real players behind the film, Pelé's impact, and whether Victory still stands tall among the greatest soccer movies ever made.
One match. One chance at freedom. One bicycle kick for the ages. 

This week on Haven't Seen That in Forever, we grab our Power Swords and travel to Eternia as we revisit Masters of the Universe (1987).
Starring Dolph Lundgren as He-Man, Frank Langella as the delightfully over-the-top Skeletor, and a cast of characters that somehow end up spending most of the movie in suburban America, this adaptation of the iconic toy line and cartoon is every bit as bizarre as you remember.
We discuss the film's ambitious attempt to bring Eternia to life on a limited budget, Langella's scene-stealing performance, the surprising amount of lore packed into the story, and why this movie has become a cult favorite despite its rocky reception. Plus, we debate whether it's a misunderstood fantasy adventure or exactly the kind of wonderfully weird '80s movie they just don't make anymore.
By the power of Grayskull, it's time to find out if Masters of the Universe still has the power.

This week on Haven't Seen That in Forever, we're lacing up our sneakers and heading back to 1996 for Space Jam.
Part sports movie, part cartoon, part fever dream, Space Jam somehow became one of the most beloved family films of the '90s. Join us as we revisit Michael Jordan's first (and only?) trip to the big screen, the Looney Tunes' battle against the Monstars, and the cultural phenomenon that turned a simple basketball game into a generation-defining event.
We discuss the movie's unforgettable soundtrack, its place in sports and pop culture history, the wild cameos, and whether nostalgia is carrying this one, or if it still genuinely holds up nearly 30 years later.
So grab your secret stuff, cue up "I Believe I Can Fly," and get ready to jam. Welcome to the Space Jam.

This week on Haven't Seen That in Forever, we're revisiting The Day After Tomorrow (2004) - Roland Emmerich's disaster epic that froze New York, launched countless climate debates, and convinced an entire generation that outrunning the weather might actually be possible.
Plus, someone with actual weather knowledge joins the discussion.
Enjoy!

This week on Haven't Seen That in Forever, we're heading into the woods to revisit one of the most influential horror films ever made: The Blair Witch Project (1999). Made for a shoestring budget and marketed so convincingly that many people thought it was real, this found-footage phenomenon changed independent filmmaking and horror forever. Join us as we discuss the movie's groundbreaking marketing campaign, the paranoia and tension that made it a cultural sensation, and whether the scares still hold up more than 25 years later. So grab your map (or maybe don't), avoid mysterious stick figures, and try not to get lost as we venture back into the Black Hills Forest.

This week on Haven't Seen That in Forever, we're clocking in for a shift at Shenaniganz and revisiting 2005's cult comedy, Waiting.... Join us as we discuss Ryan Reynolds before Deadpool, the restaurant industry's painfully accurate chaos, and why this movie somehow became required viewing for anyone who's ever worked in food service. From ridiculous coworkers and demanding customers to after-hours debauchery and one infamous game that can never be unseen, we're breaking down what still works, what definitely wouldn't fly today, and whether Waiting... is an underrated comedy classic or just workplace trauma disguised as entertainment. Grab your flair and try not to upset the kitchen, this one's about to get weird.

This week on Haven't Seen That in Forever, we're breaking into Alcatraz and revisiting 1996's action masterpiece, The Rock. Join us as we discuss Nicolas Cage's peak Nicolas Cage-ness, Sean Connery's endlessly cool performance, Michael Bay's explosion-filled directing style, and why this ridiculous premise somehow works so well. Does The Rock deserve its reputation as one of the greatest action movies of the '90s, or is it just two hours of slow-motion chaos and green smoke? Grab your VX nerve gas antidote and find out with us!

Vicious. Violent. Vindictive. Very, very theatrical.
This week we revisit V for Vendetta. A visually volcanic vigilante story packed with vengeance, veiled identities, verbose monologues, and enough vendetta-fueled chaos to vaporize Parliament twice over.
We get into the film’s vision of fear, freedom, and fascism, debate whether V is a virtuous revolutionary or a verified psychopath, and revisit why this movie still feels weirdly relevant decades later.